Rory Gallagher - The Later Years

Rather than a conventional biography, Rory Gallagher - The Later Years adopts a more unique and arguably more insightful approach, presenting itself as a collection of thoughtfully crafted essays. Organised into six core sections – "In the Studio," "On the Stage 1985-1991," "Introducing the New Rory Gallagher Band," "On the Stage 1992-1995," "Ireland," and "Rory in the 21st Century" – the book groups eighteen chapters, each designed to be read independently.

While the primary focus is squarely on the final decade of Gallagher's career, from 1985 to 1995, the essays also judiciously incorporate significant, yet previously overlooked, achievements from the earlier 1980s. The opening section delves into Gallagher's last three studio albums: Jinx (1982), Defender (1987), and Fresh Evidence (1990), alongside his session work and collaborations during the book's central timeframe.

The period when Gerry McAvoy and Brendan O'Neill formed the rhythm section of the Rory Gallagher Band is explored in the second section, recounting memorable tours of Hungary and Yugoslavia (1985), Spain (1986), and further afield to the United States, Australia, and Japan (1991), as well as his headline appearances at major European festivals.

A particularly valuable contribution is the third section, offering the first comprehensive account of Gallagher's final band members – Richard Newman, David Levy, and Mark Feltham – and occasional guest musicians. This provides crucial context for the evolution of his live sound in his later years.

The book then navigates Gallagher's final four years of touring history, highlighting key performances such as The Bonn Blues Festival (1992), the Montreux Jazz Festival (1994), and his final tour in 1995. A dedicated section on "Ireland" shines a light on his deep connection with his homeland and his numerous musical achievements there, including his celebrated "comeback" show at the Cork Opera House in 1987, his 1988 Irish Tour, and his involvement in significant Irish events and festivals like Lisdoonvarna (1983), Self Aid (1986), and Rock on the Lough (1989). The importance of the Temple Bar Blues Festival (1992), a clear highlight of Gallagher's later career, and a series of significant 1992-1993 shows in Cork are also given due attention.

Concluding with a reflective epilogue, the book considers Gallagher's enduring legacy in the 21st century, particularly his continued resonance with a new generation of fans. Rather than a straightforward chronological account, this essay-based approach allows for a more thematic and nuanced exploration of Rory Gallagher's later career, offering fresh perspectives and valuable insights for both long-time admirers and those discovering his music. It's a thoughtful and well-structured tribute to a truly singular talent.